ALBUM REVIEW: From Seeds – Muddy Summers & the Dirty Field Whores by Laura Taylor


Muddy Summers and The Dirty Field Whores have been a moveable feast for some years now, but over the last two they’ve had a consistently all-female line up and, it has to be said, it is their best and most successful incarnation by far. Hailing from the Forest of Dean and Nottingham and fronted by the irrepressible Gail Something Else (she of the wonderfully anarchic Something Else festivals), this radical feistyfolkpunkpop band are in their prime, and their second album, From Seeds, is a refreshing slice of female perspective bursting at the seams with confidence and strength.

With irresistibly catchy rhythms and urgent poetry, sweet and mournful fiddle, haunting flute, impudent melodica, and a driving cajon, it’s a big two-fingered salute to patriarchy, monarchy, ‘normality’, arbitrary inequality and to every ‘ism’ and ‘ist’ you could care to list.

Fearlessly, the songs address issues such as abortion, breastfeeding (and rejection of the social stigma of), the worries and responsibilities of motherhood in these fraught and worrying times, the taint and disparity of capitalism, the endless misogyny that should surely have run its course by now, and the pisstaking price we pay as women who bleed.

You may find yourself swaying, laughing, nodding in recognition and despair, your hackles and goosebumps raised in solidarity. There’s every chance you’ll be singing along at the top of your voice to the more anthemic festival favourites.

From Seeds is sombre, provocative, and threatening. It is conciliatory, resigned, and then filled with fire and hope again. It stands as a musical blueprint for the difference between right and wrong, and how we can best get along without actually hurting anyone or making them feel somehow less.

This is an album for everyone, not ‘just’ women. It’s for brothers and sons, dads and nannas, mothers and sisters. And it’s for all of our daughters, too.

The album is available from

by Laura Taylor